Cotton Jones Tall Hours In The Glowstream
Tall Hours in the Glowstream flows and drifts like the waterway in its name. It is an album that culls its varied influences into one beautiful, reverent, yet inventive, new sound. Cotton Jones 'Tall Hours In the Glowstream' marks an exciting new chapter in the bands young career. While 'Paranoid Cocoon' found the band lending itself to the occasional lengthy jam, Tall Hours finds Cotton Jones reigning in the songs, for a more succinct pop feel. Tall Hours in the Glowstream is the third album by Cotton Jones, which was released on August 24, 2010.Michael Nau and Whitney McGraw recorded the majority of the album in their living room while they were staying in Winterville, Georgia, and the sound of the record is equal parts gospel, Southern soul, and backwoods folk.
A new arrival on the station is Cotton Jones. The music of Cotton Jones speaks of transition: the passage from one form, state of mind, style or place to another. Songs become doorways to the past, or windows that open on some unnamed future, where innocence can still exist and perfection is thrown to the wind. The Glowstream is a place centered between North and South Cumberland. It’s not really called the Glowstream – just a stream that rolls to a dead end by the train tracks downtown. A place to sit, undisturbed in the cool shade, and see the interstate bend around glowing steeples, as cars and trucks break their speed – it’s beautiful – how the city materializes, an oasis, after driving many miles through the mountains along I-68 – to this spot, where it’s possible to witness all the paces change.
“Tall Hours in the Glowstream,'” is the title of their new album. Some of the songs that made the final cut were tracked in northern States, while the majority were recorded and mixed in Winterville, Georgia, as a revolving cast of players, thinkers, and singers were invited to hang in the band’s living-room studio.The resulting sounds are both rich and charmingly lo-fi, full of vivid imagery and more gorgeous vocal harmony.
Hard-asking tracks like “Somehow To Keep It Going” and “More Songs For Margaret” prove the promise in this music, the feeling of something better to come if only you can hold tight a little longer”Always the mornings keep coming” And what a beautiful thing that is MP3: Buy Album.
The “glowstream” mentioned in this album’s title refers to a small creek in Cumberland, Md., home to the duo known as Cotton Jones. The stream serves as a major inspiration for the band’s sophomore LP — it was a place to recharge batteries and get away from a year spent on the road promoting their debut, 2009’s Paranoid Cocoon. As with previous efforts, Cotton Jones revels in the easygoing intersection of country and pop, using the harmonies of the two principals — Whitney McGraw and Michael Nau — as the basic framework for their simple, hazy songs. Yet the inherent fuzziness of Tall Hours In The Glowstream works against the group, as the record lopes along pleasantly enough but with few cuts making noticeable ripples. Paranoid Cocoon was low key in all the right ways.
Basic song structures allowed the two voices — Nau’s sandpaper drawl and McGraw’s sweet croon — to shine in conjunction with the slightly sun-fried jamming. You can hear the duo attempting to tighten the songcraft on Glowstream with songs like “Glorylight And Christie,” a song divided between McGraw’s yearning vocal intro and Nau’s Pet Sounds-indebted back half. Yet the complexity is not needed, and indeed it can be a disservice. A found-sound rhythm on “Man Climbs Out Of The Winter” is completely at odds with the conventional country ballad the song wants to be, and the record’s two instrumentals are more distracting than effective.
Living In High Cotton Meaning
How to install fonts in microsoft office windows 7. The songs may be shorter, but they’re not punchier. The group excels on the tunes with stronger backbones. Album opener “Sail Of The Silver Morning,” sets the album’s tone, modestly galloping out of the gate while Nau takes his time with his melody.
What makes the song work is the drumbeat. As simple as it is, it at least keeps everything moving forward. Cotton Jones too often fall into the lone-acoustic-guitar trap, where even the best of songs can get bogged down by the lack of instrumentation.
However, a subtle Latin rhythm (“Dream On Columbia Street”) and a diving and weaving melody (“Song In Numbers”) shake loose some of the record’s sleepiness. They’re the signposts showing that the band has untapped talent hidden beneath the haziness. Early in the record, Nau implores, “come on baby, let the river roll on,” and it’s a nice sentiment to hear. With so many gimmicky groups out there, the band’s ease and comfort with being low key is as refreshing as the titular stream. But a few rocks thrown into the water wouldn’t hurt, either. Cotton Jones is comfortable, but that comfort can be tiresome.
Cotton Jones Tall Hours In The Glowstream Lyrics
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